TIME; NO TIME
TIME; NO TIME is a durational and continually evolving project that I’ve been developing over the past four years. It spans drawings, paintings, photographic works, abstract visuals, rewoven imagery, designs, and collages—refusing easy categorization and instead embracing multiplicity. At its heart, this work stems from my ongoing investigation into materiality, perception, and the limitations of shared understanding. I’m not searching for resolution; rather, I’m choosing to stay with the questions—questions that are both visual and philosophical in nature.
One simple question has stayed with me throughout this process: “How do I know if what I see as blue is the same as you?” I’m not trying to answer it. Instead, I use it as a lens through which I examine the instability of perception and the elusive nature of consensus. My work leans into ambiguity, asking viewers to sit with the uncertainty that shapes our lived experience. Each piece becomes a place of reflection—an active space where meaning isn’t fixed, but continually reshaped through the act of looking.
Layering, repetition, and reworking are central to my approach. Through them, I explore how perception is shaped not just by what we see, but by time, memory, and subjectivity. The variety of media I use resists a single reading. I want to create a space where interpretation remains fluid—where you, as a viewer, bring your own context and perception to the work. By rejecting linearity or closure, I aim to challenge the traditional ways we make and consume visual language.
Ultimately, TIME; NO TIME is a meditation on perception as a mutable, deeply personal process. It’s an invitation—to pause, to question, to exist within the in-between. Meaning here isn’t handed over; it’s something we shape together, through experience, interaction, and uncertainty.